Homebrewed Music

There are dozens of commonly repeated internet “certainties” related to PC recording, I think it’s possible that the most common is the need to replace the built-in soundcard (now usually a chip on the motherboard) with some sort of “real” interface. My first recordings were done with Shure SM57 into a Behringer Eurorack mixer through a chain of adapters into a Soundblaster soundcard, and I recall being blown away by the quality. That wonderful experience was followed by years of frustration and expense as I tried to buy my way to better recordings. (more…)

Those of us who post “look at me play guitar” videos on YouTube are quite interested in the audio quality of the resulting clips. I have some ideas about how to optimize uploads and downloads, and also some recordings that you can use to judge the current audio quality, at least as it pertains to solo acoustic guitar. (more…)

I’m amazingly lucky in so many ways, and one of them is my good fortune in having a dedicated recording space. I can leave mics and guitars out, decorate to my preference, put speakers in the middle of the room, and best of all, hang broadband absorbers all over the walls and ceiling and stuff them into every corner.

I found that installing these panels made a lot more difference in the quality of my recordings than upgrading a preamp or a/d converter, or even buying a new microphone. By improving the sound in the room, the acoustic treatment made the whole recording process much easier and more enjoyable. So when people ask me how to improve their recordings, one of the first things I suggest is room treatment. (more…)

REAPER 4 has brought quite a lot of improvement to REAPER video handling. With a little creativity it’s possible to add titles, cut between multiple clips, and insert stills, all with reasonable stability, excellent performance, and great audio processing. I’ve done a blog post and a video about using REAPER to sync audio and video, but I thought I’d do another one that looks at making a complete simple music video, with titling and overlays. (more…)

I’ve posted before about positioning the Q3HD for better audio when recording acoustic guitar. The other day I remembered the dinky little wide angle lenses available for pocket video camcorders and started doing a little research. I wound up ordering one from Photojojo.com. (more…)

I was a bit surprised at the small difference I heard in recordings made with the Sony PCM-D50 alongside the Zoom H2n in my last post, and both sounded very close to the Rode NT4 reference track to my ear. A pleasant surprise, indeed considering the cost difference. But many folks who recommend the D50 do so because of its ability to handle external mics, a job poorly handled by the Zoom H2. (more…)

A friend loaned me a Sony PCM-D50, a unit that many people seem to feel is at or near the top of the heap in hand-held recorders. Since I just got my Zoom H2n I thought it might be interesting to compare them with some level matched, same source clips. And as long as I’m putting up recorders I threw in the old faithful Zoom H2. For a reference I included a Rode NT4 stereo mic connected to the Echo Audiofire Pre8 here at Digital Duck studios (my upstairs man-cave). (more…)

Here are some more observations on the new Zoom H2n recorder. In this entry we’ll look at the Mic/Line input for connecting external mics and line level sources. In the H2 these were separate inputs, with the mic input controlled by the Mic Gain H-M-L switch while the line input had no adjustment. On the H2n these inputs are combined and the Mic Gain dial adjusts the sensitivity of that input. (more…)