LAMPG Video in HitFilm Express 2017

Wednesday, September 6th, 2017

Oh my, am I ever embarrassed. In my look at Shotcut I dismissed HitFilm Express after a very cursory trial. Now I’ve spent a bit more time with the program and discovered that HitFilm Express 2017 provides the holy grail for Look At Me Play Guitar video – automatic audio sync. I’ve only tried it on one clip, but HitFilm took my video and audio, compared the camera audio track to the external recording, and created a new merged file with the replacement audio and ready to edit. (more…)

 


Can Shotcut Cut a LAMPG Video?

Sunday, August 6th, 2017

I hear Mac users have it easy when it comes time to edit their Look At Me Play Guitar videos – their free iMovie application handles trimming heads and tails, syncing external audio, and rendering high quality video. Until recently those of us in PC land have either opened our wallets, struggled with the Microsoft offering, or struggled with some open source alternatives.

Lately, though, things have changed a bit. For folks with a big hardware budget and a willingness to learn, DaVinci Resolve is available as a free download. Hitfilm Express is also available for free. And good old Shotcut has either gotten more solid, or I’ve finally absorbed enough to avoid crashing. (more…)

 


Self-Duet Videos in REAPER

Tuesday, October 4th, 2016

I’ve shot a few self-duet vidoes over the last few years, playing both sides using different tunings or instruments or just having a lead with accompaniment. It took me a few years to figure out the tricks that make this kind of video work, but with some careful staging and framing of the shoot and a powerful NLE (Non-linear Editor) for the editing the process is actually pretty simple.

I’ve gotten requests to do a tutorial on self-duets, and happily REAPER video features have advanced enough to make self-duet edits a snap, so I set up in the living room and played through my old favorite, Salomila, on the slack key guitar with `ukulele accompaniment. And I did a tutorial video as I went through the process of editing a self-duet video in REAPER. (more…)

 


A New ABX Tool

Wednesday, July 30th, 2014

At first glance evaluating audio gear seems like it should be perfectly simple, all we need to do is trust our ears. But it turns out that we don’t hear with our ears, we hear with our brain and with the nervous system circuitry between our ears and brain, all in a wildly complex network of sensing, filtering, focusing, and feeding back. And this network is both amazingly sophisticated and hilariously inept at the same time, able to discriminate between small differences but also certain to occasionally make up the answers. (more…)

 


Zoom H6 Metronome and Overdub Issues

Tuesday, May 27th, 2014

I had a lot of fun the other day shooting a self-duet video but I ran into a couple of snags trying to use the Zoom H6 metronome and overdub functions. Perhaps my experiences can help you out. (more…)

 


Zoom H6 Overdub Mixer

Friday, February 21st, 2014

I don’t overdub, or at least I do it only very rarely. And I’ve never done a project using the overdub capability of the Zoom H6. But I do know that the capability exists and I’ve tested it briefly.

When an H6 user from the UK posted on the Sound on Sound Forum that he was having a problem overdubbing because phantom power was not available, I did a quick test and learned that my unit exhibits the same issue. (more…)

 


Free Tools to Tweak Q3HD Audio

Tuesday, November 27th, 2012

I’m continually learning about the importance of volume/loudness/level in recording and video. Our listeners expect a “normal” level similar to commercial recordings, but through the vagaries of technological and commercial development, normal recording levels are just not as loud as normal delivery levels. Our recordings will sound wimpy and unimpressive if we deliver them at the level we used to capture them. (more…)

 


Playing the Keys of C and D in Open G Tuning

Saturday, June 16th, 2012

I think of this blog as being about acoustic guitar playing as much as it is about recording, but somehow the gadgets seem to get most of the attention. I’ve been fooling around with playing in different keys while using open G tuning and came up with a post that focuses on the playing side of things. (more…)

 





About the Blog

    Howdy, my name is Fran Guidry and this is my Homebrewed Music blog.

    I play Hawaiian slack key guitar and recorded my solo acoustic CD at home. Most of the recording information I find on the internet seems focused on bands, drums, multitracking, and so on but my main focus is recording solo acoustic guitar. Lately I’ve been enjoying video recording along with audio, so that shows up in the blog as well.

    I’m also a guitar nut. I love big ones and little ones, handmades and factory guitars, cheap ones and expensive ones. So I’ll be sharing the fun of exploring guitars as well, along with the challenges of amplifying acoustic guitars for live performance.

    Welcome!

Philosophy

    My recording philosophy is pragmatic, skeptical, not super critical. After all, the performance is by far the most important component of a track, and every aspect of any recording is a matter of taste.

    But I do like to know “about stuff.” Back in hifi days I learned about double blind testing. I learned that we humans can easily hear differences that don’t really exist. The more I’ve learned about our human auditory system, the more I’m skeptical of what people say they hear, especially if they claim that a particular microphone or preamp or cable has some magical property.

    I’ve only been recording since 2001, and when I started I found the usual places on the internet. I sought advice and accepted it, thought I would improve my recordings by using more expensive equipment. It didn’t work.

    Two things that did seem to lead to better recordings were experience and room treatment. Getting an appealing sound is the combination of many small details, and learning those details only comes from experience. Amd the sound of the recording space is obviously a big factor.

    I’ve only recorded seriously using digital technology, but I remember trying to record rehearsals and gigs back in analog days. I don’t have any nostalgia for analog recording and playback systems at all. I think even low end digital systems can capture marvelous recordings. So when I look at gear, I look for good specs: low noise, broad flat frequency response, wide dynamic range, low distortion. I’m not interested in colorful components, mics and preamps with a sound, I want the sound to be the sound of my guitar.

    But the last word is that I’m just learning and I hope you find something useful in my posts.