Homebrewed Music

I’ve been moving my audio processing to REAPER over the last year or so. It’s a powerful and reliable program in a fast moving package, with a very active and helpful user community. All these factors make it a real pleasure to use.

Now for the icing on the cake – the development team has linked in the FFmpeg video libraries and given REAPER the ability to do simple video editing. I’m totally happy with my video editing system since I moved to Edius Neo 2.5, but when I played around with video in REAPER I realized that this is a tool many musicians want and need. Read more »

As I’ve mentioned before, for many years I believed the recording advice I found on the internet. I visited recording forums and searched for discussions of acoustic guitar recording, and bought gear based on those discussions. I was never happy with my tracks, and I hoped that I could find the combination of gear that would make my recordings sound great.

One consistent recommendation was the Schoeps line of microphones. I was lucky enough to find a deal on a pair of used Schoeps CMC64s (CMC6 modular bodies and MK4 cardioid capsules) a few years ago, and even though they were fairly expensive I bought them because I knew that once I had a pair of Schoeps, I could no longer blame the microphones for my less than satisfactory results. Read more »

I’ve been touting the Zi8 as a low priced tool for “look at me” YouTube videos because it allows the use of an external mic. It’s usually the case that our preferred framing for a shot moves the camera some distance from the subject. This means that the sound recorded by the camera mic is heavily affected by the sound of the room, and that is rarely a good thing for sound quality.

By separating the mic from the camera, I should be able to position the mic for optimum sound while placing the camera for the visual effect I want. Of course, I can do this wihout an audio input on the camera by a technique called parallel recording, that is, recording on a separate audio system of some kind. The familiar clack of the slate at the start of a movie sequence is used to make it easy to synchronize the picture and sound, and this technique works very well for my homebrewed videos as well. Still it’s very tempting to think that recording directly to the camera is an easier way out, with camera audio every take and every edit lining up without any extra effort. Read more »

I use an electronic tuner for my stringed instruments. I use one often. When I tune by ear I do a terrible job, so I much prefer using a gadget to help me. I’ve tried lots of different tuners over the years. When I played mainly electric guitar I used tuners with 1/4″ jack inputs. When I moved over to acoustics, I often used the Sabine stick-on tuners. But things changed when I discovered the Wittman MiniTuner – I started installing these inside all my acoustic guitars. Read more »

I’ve read many times on the internet that condensers are too sensitive, they pick up the mouse in the next room, the refrigerator downstairs, the arm hairs brushing on the top of the guitar. People have suggested that a dynamic mic is better when there’s ambient noise, clumsy technique, or a bad sounding room. Have you heard this myth? Do you believe it? Read more »

Traveling to and from Hawai`i involves big changes in humidity, and this is a recipe for trouble with an acoustic guitar. I’ve suffered from rising action and even finish cracks from the wood swelling when I travel to the islands. Friends who have brought instruments from Hawai`i to California have experienced just the opposite – buzzing low action and a real risk of seam separations, braces coming loose, and even cracks in the top and back.

For a number of years builders have worked on more stable replacements for the wood in our guitars, and now we have plywood, aluminum, and a range of composites including fiberglass, kevlar, and carbon fiber. In fact one of the pioneers in carbon fiber guitars, Rainsong, started their business in Hawai`i and attracted a number of local players to their instruments.

Composite Acoustics is a relatively young company that started with a dreadnaught and bluegrass focus, but thanks to my encouragement (hey, I wrote them an email) they’ve developed some very fingerstyle friendly models, especially the new OX body style. Read more »

I was already in Hawai`i on my vacation – can you take a vacation from being retired? – when I learned of the new Kodak Zi8. Now I already have a collection of video cameras that gets me teased by my wife, but this new shooter was too good to pass up. I’ve had it here in beautiful Kailua, O`ahu for a couple of weeks now and posted two videos.

I’m pretty pleased with this new camcorder. Let’s look at the pros and cons: Read more »

I’m enjoying some time in Hawai`i and part of the fun is getting back together with my Epiphone Masterbilt EF-500M. This is the first Epi EF-500 I bought, it’s a “second” that I bought used (second squared, I guess). For that last few years I’ve left this guitar in Hawai`i so I don’t have to carry an instrument on the plane.

I’ve tweaked and fiddled with this guitar for a while, especially since I brought it to O`ahu. The humidity is pretty tough on instruments. The tuning machines have always been stiff and they’ve gotten worse lately, so I decided to swap them out for the new Grover Vintage Sta-Tite 18:1 machines. Read more »