Free Tools to Tweak Q3HD Audio

Tuesday, November 27th, 2012

I’m continually learning about the importance of volume/loudness/level in recording and video. Our listeners expect a “normal” level similar to commercial recordings, but through the vagaries of technological and commercial development, normal recording levels are just not as loud as normal delivery levels. Our recordings will sound wimpy and unimpressive if we deliver them at the level we used to capture them. (more…)

 


YouTube Audio Again (and ABX again)

Thursday, October 4th, 2012

In a previous entry discussing YouTube audio I mentioned that Google/YouTube changes the details of their upload formats, transcoding, and streams without much fanfare. Happily all the changes I’ve seen so far have been toward higher quality, and lately they’ve upgraded the audio streams again. (more…)

 


Slack Key on the GoPro HD Hero2 ? ?

Thursday, September 13th, 2012

In the guitar world we often talk about a phenomenon we call GAS – it stands for Guitar Acquisition Syndrome and it’s obviously an addiction that afflicts a lot of us. It’s common to see forum signatures with more than a half-dozen instruments listed, sometimes all very similar. I’ve certainly suffered from the ailment myself, but it’s been a few years since I bought a guitar. These days I have CAS – Camera Acquisition Syndrome, and it’s no less of a disease. (more…)

 


YouTube Audio and ABX

Saturday, March 17th, 2012

Those of us who post “look at me play guitar” videos on YouTube are quite interested in the audio quality of the resulting clips. I have some ideas about how to optimize uploads and downloads, and also some recordings that you can use to judge the current audio quality, at least as it pertains to solo acoustic guitar. (more…)

 


PC Video in REAPER 4

Friday, October 28th, 2011

REAPER 4 has brought quite a lot of improvement to REAPER video handling. With a little creativity it’s possible to add titles, cut between multiple clips, and insert stills, all with reasonable stability, excellent performance, and great audio processing. I’ve done a blog post and a video about using REAPER to sync audio and video, but I thought I’d do another one that looks at making a complete simple music video, with titling and overlays. (more…)

 


Zoom Q3HD with a Stick-on Wide Angle Lens

Monday, October 24th, 2011

I’ve posted before about positioning the Q3HD for better audio when recording acoustic guitar. The other day I remembered the dinky little wide angle lenses available for pocket video camcorders and started doing a little research. I wound up ordering one from Photojojo.com. (more…)

 


Guitar Cam Fun

Friday, August 5th, 2011

Please don’t tell my wife how many little HD cameras I have. She wouldn’t be mad, but she would certainly tease me without mercy. These things have gotten so inexpensive that each one seemed like a reasonable purchase, it’s only when I look at all of them spread out on a table that I realize what I’ve done.

Now that I’ve done it, though, I’m pondering uses for all these gadgets. One that I’ve been playing with for a while is a “guitar cam” – a camera mounted directly on the guitar and giving an unusual view of the performance. With all these cams hanging around and Lynnie out of town I went to work. (more…)

 


Playing the Angles with the Zoom Q3HD

Saturday, March 12th, 2011

The mics and preamp on the Q3HD deliver a new level of audio quality to lower cost video cams, simply by being as good as today’s average pocket recorder. But I read posts by folks who have the Q but are still frustrated in their efforts to get the sound they hope for in their videos. (more…)

 





About the Blog

    Howdy, my name is Fran Guidry and this is my Homebrewed Music blog.

    I play Hawaiian slack key guitar and recorded my solo acoustic CD at home. Most of the recording information I find on the internet seems focused on bands, drums, multitracking, and so on but my main focus is recording solo acoustic guitar. Lately I’ve been enjoying video recording along with audio, so that shows up in the blog as well.

    I’m also a guitar nut. I love big ones and little ones, handmades and factory guitars, cheap ones and expensive ones. So I’ll be sharing the fun of exploring guitars as well, along with the challenges of amplifying acoustic guitars for live performance.

    Welcome!

Philosophy

    My recording philosophy is pragmatic, skeptical, not super critical. After all, the performance is by far the most important component of a track, and every aspect of any recording is a matter of taste.

    But I do like to know “about stuff.” Back in hifi days I learned about double blind testing. I learned that we humans can easily hear differences that don’t really exist. The more I’ve learned about our human auditory system, the more I’m skeptical of what people say they hear, especially if they claim that a particular microphone or preamp or cable has some magical property.

    I’ve only been recording since 2001, and when I started I found the usual places on the internet. I sought advice and accepted it, thought I would improve my recordings by using more expensive equipment. It didn’t work.

    Two things that did seem to lead to better recordings were experience and room treatment. Getting an appealing sound is the combination of many small details, and learning those details only comes from experience. Amd the sound of the recording space is obviously a big factor.

    I’ve only recorded seriously using digital technology, but I remember trying to record rehearsals and gigs back in analog days. I don’t have any nostalgia for analog recording and playback systems at all. I think even low end digital systems can capture marvelous recordings. So when I look at gear, I look for good specs: low noise, broad flat frequency response, wide dynamic range, low distortion. I’m not interested in colorful components, mics and preamps with a sound, I want the sound to be the sound of my guitar.

    But the last word is that I’m just learning and I hope you find something useful in my posts.